![]() My questions if any clever person has experience with QLab are:ġ. ![]() it took as long to change as changing direction on the Titanic. every time the director wanted to simply hear a track lower or higher was a nightmare. The whole thing became a nightmare when the sound guy admitted he hadn't worked with Qlab before and every time we wanted to do a fade or change an audio level in my music track, we had to program in a change manually 5 times in order to control all 5 audio channels in QLab. I bounced my score out of Logic 9 as discreet 5.1 surround spilt audio files - and threw away the central audio file (told by the techies that Qlab won't handle interleaved files.) (Gosh the theatre still seems so quaint here!) then the lights controller was given "start now" type verbal commands. ![]() I'm told newer version 3 is still buggy) which locked the sound and video. The main stay of the production was QLab version 2 (. We locked video with lights and my surround score. kind of 5.1 with out the centre) The production was a small theatre play in London's West End. I've just been through a baptism of fire working on a live show that I produced a quasi 4.1 music track for. I hope this isn't a question too much off piste.
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